Thursday, May 17, 2012

Sometimes it works, other times not, But today.......

Personal art in works:
I am working on a new idea right now.  It involves the far North, and the Northern Lights with a traditional Aleut dancer.
Now any that have seen the magical display that is presented by the Northern Lights knows that they are in a constant changing flux.
To try and represent them in a painting, one has to think in an abstract way so as to get the movement and clarity of them, all the while creating transparency showing them engulfing the land and sky.
I have been working on overlays of the lights, and think that I have finally achieved the look I want.
But.....again the proof of the pudding will when I bring all the elements of this painting alive on the Cradled Birch Panel I am using for this project.  Wish me luck today as I will be attempting to bring the whole lot together.

Farming:
On another topic, over the last four years, I have been documenting  the Seasons of Grain farming, by taking photos from our deck (which is about 25 feet above ground in the back) of our local farmer and his workers preparing fields for planting, actual seeding, spraying, and eventually harvesting the land.
I have always been fascinated with the huge machinery, and the grace with which these gentle giants operate.
Because of the height at which I stand, and the fact that the grain fields completely surround our home, I have a vantage point that is excellent for depicting the manner in which the fields are maintained.

Always in a very straight line, with a specific purpose in mind, over hills, atop rises and down gulleys.  Watching these machines is a fascinating thing, and hopefully I can impart the beauty of this tremendous operation.
To coin a very famous phrase
....."Nothing Runs like a Deere!"
(or the farmer that operates one)

Some time this year I will assemble the photos into a book.  A book that shows the great time, effort and Money that goes into a large grain farm.
A book that shows a farmer that has no problem stopping his Combine and picking up Little Boys so they can go for a spin with him. 
A book that shows him saying hello to our dog that knows and watches every vehicle he uses and laughing when the Dog gets very upset with a strange truck that should not be there.
Hopefully, I will be able to show the sensitivity of this man and his operation.  I so enjoy it!
Later everyone .




Monday, May 14, 2012

When is art a deception?

For a long while I have admired a certain photographers work.
I marveled at her detail and clarity, her ability to see beyond everything she photographs and her ability to capture colours.
As an artist (of the painting type) I can, and often do wonder at the many forms of art presented in different venues and styles.
Today I was looking at her latest posted photograph and asked her how she was able to photograph a scene and have it "Look" like a painting.
Her answer was "I take pictures as I see them."
Not an answer, but the best I was about to get from her.  
I was then informed (by someone else) that her photography was retouched in a photo type program that "Puts" different slants on the original picture.
Now, to my mind, if you want a painting, you paint it! and if you want a photograph you take a picture....but No!
What you do is take a picture and then manipulate it into a painting.
You pass it off as your own creation with no reference to the computer program that really made the image as it appears. 
To my mind this is lying, cheating, pulling the wool over the viewers eyes.
Yes, I know that a lot of photographers retouch portraits, and I can agree with this.
I can even agree with some colour manipulation, but we are not talking retouching here.
We are talking about changing the integrity of a photograph, turning it into something else and then sitting back and reveling in the accolades because your work is so unique and original.

If you are a photographer so be it!
And if you are a Painter, again, so be it.
But for a photographer passing off a manipulated photo as a painting is just wrong.
Worse yet, passing of a manipulated photo as an original work by yourself is just wrong and deceitful.
Especially since you do not even acknowledge the use of a computer program that actually does your work for you.
Is it a form of plagiarism?
Maybe a form of deception?
Whatever.
To my mind it is wrong. But then again maybe I am out of the loop.  I must say I was very hurt when I
                                           finally realized what she had been passing off as her work for so long.


Thursday, January 26, 2012



How I feel about art in general for the most part:
You either like it or you do not, how you feel about it is important, and While others might love it, you might see nothing appealing in it
Even if "Joe Blow" from the worlds most prestigious Gallery insists that a work is the Best (insert accolades here) of the century, that will not necessarily make it so in your mind.
The Art world is famous for  stupid prices.
Sadly, almost all the work that is heralded as "collectable" at outrageous prices is for the most part abstract and without reason.


Real people buy art because of how the colours appeal to them/to work with the design of a room, or because they like Sunflowers. Real people buy art because they like the size, the medium or because this specific work reminds them of something. Some people buy it because a particular work makes them smile/feel rested/has a personal message.

Real people buy/like Art for personal reasons.

I paint because I love to paint. I work in many different styles and can replicate a flower in wonderful detail and or produce a work that denoted chaff from harvest blowing in the wind in a complete abstract form.

Art is selective and personal. So whatever you like or don't like, no matter. If it pleases you, that is good.
I guess what I am trying to say here is, No matter whatever others say, be true to what you like. Don't be scared to say "I hate that!" or "Not bad, but I wouldn't hang that!"

Feel free to ask "how did you do that?" even if you are not particularly drawn to a work as opposed to how it was created.
Be selective, and remember that just because Van Gogh' works sell for a gazillion dollars now, years ago he really was a starving artist.
And, I have to admit that I do not like a lot  his art.

Friday, January 6, 2012


So I have been away for a while. Learning new things and methods.
I have changed my style somewhat and have to admit that my many months painting"traditional" type art has helped me understand where I am now.
Bear with me while I get back into the wonderful world of Blogging, and imparting my thoughts and feelings re my art (and art in general) here.
It is good to be home, hopefully you will welcome me back.

Friday, April 23, 2010

"Rachels Muse I"


Many of you that follow this blog are aware that I have a dear friend that is an accomplished photographer.
And, you then, are aware that I often use a lot of her photographs as inspiration for a painting.
Thanking someone that inspires you is a very hard thing to do.
A while back Rachel posted a photograph that she took of her son holding his Oboe.
I fell totally in love with this Photograph and decided to paint it.
(What on Earth was I thinking?)
So this painting is for Rachel, Just because.

I am known for my inability to paint the human form.
Yep, even hands.
But I got to it, and after weeks of working on this painting (Some of which I was quite ill and did nothing), I am finally at the stage where I can begin to refine Jacobs hands.
Scary to say the least.
I have to finish the area where the reed is, and will do that a wee bit later....Kind of like a gift to myself when I finish those talented wonderful hands that belong to Jacob.

Hope you like it so far.
The background is not finished yet, but will remain painted in a matte black.
Please let me know how you think I am doing here, and anything as well that needs work.
Your eyes are important, as often while working on a painting such as this one cannot see the obvious flaws.
~~Kathleen

Tuesday, February 23, 2010

Getting it right


"The Edge"
Acrylics on Canvas
12" X 12"


Every once in a while, as an artist, I wonder how did another artist get that effect.
Not havng had any formal training in art (and the application there-off), I read a lot of art books, go and see other artists works at gallery's and shops, and try when I get back home to achieve the shading/shadows/light effects in a realistic manner.
Most often this exercise results in a lost painting underneath the blobs/and strokes that were to mean something.
So, I paint over it and away I go again.
Yesterday I painted this little Jewel.
Yep the lighting and shadows and depth happened as I painted, and it all made sense.
I finally did it without agonizing about the method.
Maybe one has to learn things, and just wait for the right time to implement them!
Enjoy this painting, I like the mysteriousness of it.
~~Kathleen

Sunday, February 14, 2010

"Real Women VI"


The Sun, the Moon and the Earth join Forces
Acrylics and mixed media
on canvas
12" X 14"

Well, we have the Olympics being hosted in British Columbia this week. All of Canada is showing their Maple Leafs on their sleeves. (Yes, and our Hearts as well)
Enjoy them and appreciate the enormous amount of work these athletes put into training for these events.
Who wins is not important to me, as just being there as a participant means you are not only the best in your country, the world thinks you are the best of the best! :)
~~Kathleen




Monday, February 8, 2010

Landscape



"Frost on Larches"
Acrylics on Canvas
12" X 14"
SOLD

Gosh I have not done one of these for a long time.
Hope you like it.
It is based on the photograph I posted below when the Hoar Frost claimed our world!
Hope you like it!
~~Kathleen

Sunday, February 7, 2010

"Real women V" (series continued)


"Assistance"
12" X 14"
Acrylics & Mixed media on canvas
She stands tall, she is proud, and she is a successful Business Woman!
She also walks with the assistance of a cane.
She faces up to her life, and makes it work.
There is nothing that she cannot overcome.
I like her stance.
Hope you do as well.
~~Kathleen

Friday, February 5, 2010

My World This Morning....



Hi all, hope you are having a fabulous day.
Being 65 years old, and having the luxury to enjoy so much is a real blessing.
As most of you already know, I am an artist.
Well, I am (at best) trying to become an artist :)
I have connected so very much with the constant changes Nature offers me every day.
Crossfield, Alberta, Canada is not far from the edges of the Great Canadian Rocky Mountain range.
So we tend to have weather anomalies all the time.
In the Winter we have just splendid Hoar Frosts, and this Winter, the Frosts have been spectacular.
Here are some photos I took this morning of the sunrise.
I am looking West to the Larches that line the frontage of the property.
So the Sunrise in all its' glory rises on these trees, and the end result is breathtaking.
Enjoy all....

Just before the sunrisePeeking over the horizon turning the Western sky a lovely Pink

(More "Real Women" after this interlude!)
~~Kathleen

Sunday, January 31, 2010

Real women IV "Grandmother Moon"



"Grandmother Moon"
12" X 12"
Acrylics & Mixed media on canvas
SOLD

This painting embodies Gold and Copper foil (Representing Life energy) falling from the moon and embracing all women.
The seemingly awkward pose of the woman signifies the females desire to "Soak" up and embrace the moons importance into her life.
I began this painting with a specific idea in mind. I have been aware for many years that the Moon and Women have been closely connected since the beginning of time.
Almost every culture has a story passed down through centuries about the connection of these two.
When I had completed this painting, and posted it @ "Wet Canvas" for comments & critique from my fellow Acrylic artists, Bell Byrne recognized what I was trying to say and sent me an oft told story from her (North American) Native culture.
Her story connected so well with my painting that I am posting it here as a description.
So much of what we do in daily life is based on folklore.
I have gifted this painting to one of the best friends a gal can have....
Sharon Glover, a remote area nurse in the Northernmost settlement in Canada...Inuvik!
She, is a Native Canadian Nurse (extraordinaire) in this remote settlement.
We have planned to get together in April this year and catch up with each other and just be near for a while.
I miss you Sharon!

I hope you like it!
~~Kathleen

Grandmother Moon
(As told by Bell Byrne)
In a time before humans walked the earth and the spirits roamed the skies there was the daughter of the Creator. She loved the spirit that held the power of to create fire and wanted to mate with him. The Creator did not want the daughter to be near fire and asked her to leave the love she had for the spirit on a star and forget him.

The daughter disobeyed the Creator and secretly wed the fire spirit. The Creator was heartbroken that she had disobeyed and knew that nothing good would come from this union. The Creator had made her the spirit of water and the beginner of life.
Fire could bring water to a boil and at the same time, water could douse the flames of fire. There would never be any balance in the union.

To help, the Creator gave his daughter two babies to birth. Two sons to balance the femaleness and one to each carry the spirit of their parent. One son was to be the father of all humans and the other son was to be the father of all animals.

The twins fought constantly in their mother's womb. The brother who was to father all animals was impatient and wanted to be born soon. The brother who was to father all humans was patient and wanted to wait for his birth so he would know what his humans had to do to come to life.

One day, close to the day they were to be born, the anxious brother could wait no longer and pushed to get out of the womb. His brother was blocking the way out so he pushed against the side of his mother. His brother sensing that his mother was in grave danger, pushed his way out through the birth canal in the hopes his brother would follow. His brother didn't notice that he now had a clear path out the birth canal - he continued to push against his mother's side.

Finally, he pushed so hard he split his mother in two. As she lay dying, her father and husband held each part of her. Her husband's last gift to his wife was to make her burn bright as a star and her father - who was grief stricken could only mold her into a cold, dead ball. When all life left her, the father and husband took each part of her and placed her in the sky. Her fire part shone brightly and cast light on the earth and the desolate ball her father had placed beside the earth. Her husband called it the Sun.

The Creator grief was appeased when he saw how brightly the ball shone, he called it Moon.

Both the father and husband were angry with the twin that killed his mother. He was banished and made walk among neither the humans or the spirits. Because he has supposed to be the father of the animals, he tried to make one. It came out a mixture of all the ugly animals. It had a duck's beak, an otter's webbed feet, the fur of a squirrel and did not birth live children but laid eggs like a bird or lizard. It lived in neither the water nor the land but in both. We still see that animal today. The platypus.

The other son went on to father the humans and he lived a good and happy life with his wife and children. He was given a gift by the humans of an animal helper, the rabbit. In turn he gave the rabbit a special place in the universe as it would gladly sacrifice itself to keep the humans alive, it's meat was sweet, it's fur kept them warm.

The mother looks down on her sons from the sky. During the day, her moon half is always there and at night her sun half is reflected in the face of her moon half. She is there always.

This was told to me as a child by my grandmother in the winter times when stories were told. We'd only tell stories until the sap started to run in the Spruce trees and the geese came back. Then it was time to stop the stories and start hunting and building the salmon weirs.

Cheers,
Bell

Saturday, January 30, 2010

"Real Women III"


"Every once in a while, I toss my memories in the air. And when they fall back into my mind, I have the joy of visiting them anew"
Acrylics & mixed media on canvas
12" X 12"
SOLD
Detail of the Gold/Silver & Copper foil representing her memories....

This is a painting that I have become very emotionally attached to.
It tells of an older woman, and her joy in being where she is at the moment, and how she embraces the life she now has.
This is likely the most joyous painting I have ever done.
Her memories are revisited with understanding and great happiness!
Where we have been in life makes where we are now so important.
It takes many memories to make a whole person!
~~Kathleen

Friday, January 29, 2010

"Real Women II"


"Real Women II"
Acrylics & Mixed media on canvas
18" X 24"


Real Women II is a painting of a mature woman playing in her garden.
Nurturing her plants as she did her children.
Everything is a wee bit off balance, as in real life nothing is ever perfect.
She is at peace with herself, and has finally broken out of the dark place that dictated that she look and perform like the fantasy woman in commercial advertising.
She is probably overweight, has a few well earned wrinkles, but no matter, she is where she wants to be at this stage in her life.
The Gold and Silver leaf falls down over her peace of mind and
celebrates her absolute beauty.
She is happy with her lot in life.
I hope you like her....she is so like myself and many of my friends.
~~Kathleen

Sunday, January 24, 2010

Real Women #1


"Real Women I"
Acrylics & mixed media on canvas
12" X 14"


Above:
The final painting

Below:
the background detail
before the glazes have been added


The first in a new series.....
I am trying to convey the real woman in a realistic way.
While the concept is somewhat abstract, the message is clear.
I have used a combination of materials in these works.
Gold/Silver & Copper foil, Gel transfers and glazes.
This conveys (hopefully) the comfort a mature woman feels
in with her age.
Washing her hair with a sweetly scented soap.
Or just the pleasure of being alone in a tranquil spot.

My interpretation of this collection:
This series of paintings are very important to me.
As a maturing woman, I find that society tends to rest too much on the " False Beauty" of young women who have done nothing to deserve it (they were born with it) and they take for granted that this type of beauty is forever, and Society discards the beauty amassed by a woman of years.

Most of the mature women I know, are confident lovely people that have an unbelievable amount of beauty & intelligence within and without!

Real beauty really lies beneath the outer layers of anyone.
We, as a society, have to learn how to recognize it.
Nothing about the aged body is symmetric. Least wise mine sure is not.
I am not looking for perfection here, as perfection belongs to the young.
I am lauding the Mature woman that has accepted that she is who she is.

Saturday, January 23, 2010

The Hiatus is over!


What we have been seeing for the last four days.....A Hoar Frost
to end all Hoar frosts.
To view these and any photos full size in this blog,
Please click on the picture.





For those of you following this blog, I do apologize.
I have been busy with real life, and just had to change some of my habits and reorganize others.
Hopefully now, everything is in working order and I will be back to doing my normal things again!
Blogging (this one) is at the top of my daily "To Do" list.
I have been very deeply immersed in my art as of late.
I have been working on a new series of paintings.
These paintings all depict "Real Women!"
Not the women one sees on TV/In Magazines and or any type of advertising.
I am talking about the Real Women Of our normal every work day life.
Like you & Me.
Women that have larger than depicted stomachs (Horrors!) and a bump on the nose
(as opposed to a Nose Job!)
Thick ankles, maybe short women. women that do not have perfect hair, and rough skin on hands due to real work.
Women that deal daily with a disability in a world that is not built for anything but the
(supposed)perfect human to navigate.
So, understandably, I have been totally engrossed with this series of paintings as they are all dear to my heart.

I am sincerely going to maintain my blog with no less than three posts weekly.
As some of you are aware, not all my posts are about art, but as well, my everyday life.
I am surrounded by beauty and a very rugged rural area.
I am living with my daughter & son-in-law and two wonderful grandsons
(ages 7 & almost 3 years of age)
So life is never boring and always changind.
Welcome back my friends, I will try to give you a few minutes of enjoyment through my eyes & words a few times each week!



Wednesday, November 18, 2009

Sometimes you just know....

A couple of entries below this one, I posted a finished painting based on a childhood
memory of chasing fireflies in the moonlight and running through Grannies Marigolds while doing this.
(please scroll down to see the completed painting)
It is one of the fondest childhood memories I have.
Granny thought that children should never be chastised for following their dreams, so we did not get into trouble for running on her small flowers.

The original finished work was very well received .
Many,many people saw what I did in the painting.
Yet, something held me back on signing this work.
So I set it aside.

A few days ago, I got the idea that the painting lacked movement.
But how was I to add movement to this type of painting?
The painting as it was, consisted of many layers of applied acrylics, using many different methods.
This painting was a wonder of texture and colour.
Anything added to it had to be abstract yet definable. (is that a word?)

I decided on a type of free form Sprite for my figures.
I posed them in a Joyous dance pattern.
As if abandon was the norm and peace and happiness was the main goal of these two figures.
They are painted in the Yellows and Ochers that I used for the fireflies.
They have definate shape and form, but look as if they could change shape in a second, and dance more.
Like children chasing after Fireflies in the dark.

This painting (to me) represents Hope and Joy.
This painting represents love of a grandmother that understood the significance of allowing children not having to worry about Marigolds that get trampled while chasing a dream.

I hope you like the final outcome of this painting.
It pleases me to no end.
~~Kathleen
Please note, while being almost impossible to photograph in true colours, I was finally able to get one photo that is true to the original colour of this painting!
so I present;
Marigolds and Fireflies
16" X 20"
Acrylics on canvas
Click on photo to enlarge

Saturday, November 7, 2009

When you need the best....

"Lawn Boys"
Gayle Vogel Kirby

20" X 20"
Acrylics on wrapped canvas


For the longest time I have wanted to paint my grandsons.
Not just paint them, but create a work of art that shows the devotion these brothers have for each other.
I have to admit, first and foremost I am not good at painting the human shape or form.
But I was willing to attempt to do this.
So I tried, and tried, painted over and tried again.
Nope this was really not my forte!
Accepting the inability to do some things is not a flaw.
doing mediocre work is.
So I stopped trying.


Instead, I decided to travel a new avenue.
Yep, I called the big guns and asked for help.
I contacted an artist friend of mine.

Gayle Vogel Kirby is an accomplished portraitist.
This lady has a wonderful talent in the way she depicts her subjects.
She brings out the colour/life and essence of everyone that she paints.
She sees in colour and paint what we could only dream of.
and she sees so well.

Please take the time to view her blog and enjoy her wonderful art.
I am honoured that she accepted the request I put to her.
I am more-so honoured that she depicted my grandsons
with such sensitivity.
Thank-you Gayle, so very much.
~~Kathleen
Gayles Blog can be seen here:
http://gaylekirbyart.blogspot.com

Tuesday, November 3, 2009

"Marigolds and Fireflies"




I have been working on this for a long time now!
Everytime I think it is done, and put it on the rack,
Something draws me back to it.
And I "fix" it a wee bit more.

I think now that it is done.
It is representational of a childhood memory
A memory of my brothers and I chasing Fireflies in the evening.
I remember that once we ran through Grannys Marigolds and her response was that
"Everything was fine when children chased Fireflies"
To her, in her advanced age, Fireflies were Magic, and children should chase them in the evening.

This painting really says a lot to me.
It shows the magic of the night and the wonderful
lights of hope that come with the dark.
~~Kathleen

Saturday, October 31, 2009

Re anonymous comments

I have received (over the course of this blogs life) many anonymous comments.
For the greater part (99%) they have been very positive, only three have been hateful.
I do not publish anything that is Anonymous because I believe in putting ones money where your mouth is.
I have a few loyal followers, that as well, blog on Blogger. Some that do not.

I believe that this is a fair attitude, and I want to treat everyone as equals.
So, while I do appreciate your taking time to read this blog, then commenting, Yes, even positively, without a name or a reference blog in return, I will not make your words a part of this site.
Be well all
~~Kathleen

Thursday, October 22, 2009

"In My Opinion Only!"



I know of a few artists that trace.
That is, they find a photograph they like, use their enlarger projector, and trace each and every detail onto the canvas to paint.
Now while I feel that this is a perfectly acceptable method for Faces & bodies/birds/botanicals, I do feel that for the most part originality is severely lacking when this method is used in landscapes and paintings of the sort.
What one ends up with is a perfectly executed copy of a photograph that has no passion of the artist in it.
Every blade of grass, every leaf, every stone and every tree is perfectly copied.
They might, just might add a stone, but for the most part that is it.
anything more for these artists (sic) would be all too much of a deviation from transcription.
For all intensive purposes, they copy. (Again, my opinion only)

If you cannot be original when you paint landscapes, and have to copy why bother?
Why not use this tree, that field, another sky and that dog, put it all together as a totally original work of art?
And, No, I am not speaking of using a grid. Using a grid still means that the artist has to use originality, and for the most part the end result will always show changes from the original reference work.


If you are scared to try and let what you actually see (and feel) show up in your art, why bother?
Everything that I (and many artist friends) paint is a compilation of many ideas/images that I (we) have in my (our) mind(s) and from photographs that I (we) have taken.
Just look back in this blog, and you will see some terrible paintings that (at the time) I was proud of! :)

At the moment I have two full computer discs of clouds/skies/sunrises/sunsets that I have taken over the years. I often use them for reference. But I never trace them. I figure out how I want the blues to look and work from there. Same goes for trees/grass and buildings/mountains and the like.
I have many many landscape photos that I have taken on disc, then there are the birds/animals and people that I have on disc as well. All are photos that I have taken each is different and grabbed me at the moment for one reason or another.

The florals that I do are supplied by Rachel (whose virtues as a photographer are extolled much earlier on in this blog)
For my self, re imaging, the one exception has been Florals. All the singular florals that I have done are very much in the image of the original photograph. I do not trace them and never sketch them on to the canvas before I begin, as I am terrible with a pencil. My rough sketches usually begin with a brush and I work from that! Refining the flower as I go! Actually a lot of times I have changed the colour of a botanical as I worked on it.

Which leads me back to my original thought......

Why bother?
I suppose for some, originality is not an important issue, but for me lack of original thought shows a total lack of passion in the completed work.
There is a gentleman artist friend, Mike Baxter.
His art can be seen here....
http://baxterpopart.blogspot.com/
whose blog I follow, that paints incredible works of Pop art and women.
Some of these works can be semi erotic, but they are tasteful and fabulously painted.
I know that Mike uses a projector, but for his style of art this method not only works, it is essential.

Passion in art is essential, the buyer sees the lack of this, the viewer sees the lack of passion and the end result of the lack of passion is a well rendered technical use of paint.

I have been experimenting with new art styles of late.
I have finally got my studio comfortable to work in and now I can sit (or) stand and paint with comfort and ease.
I have a habit of painting backgrounds on Canvas' long before I have any use for them.
I do this mainly because I dislike beginning any painting on a white canvas.
So, often what I end up with has no relation to the original background, and as well the background is totally different in the end .
But for me it is a starting point.

I have never painted any fabric before. At least not any that has been recognizable as such.
The painting below is in the very early stages for me, and hopefully it will end up as an admirable work. It is a compilation of different images that I have collected, and while the end work cannot be attributed to any one factor, each and every element is a new thought.
Mind you, after years of a childhood growing up beside a lake, the image represented here could have been a part of any day of my life as a child.
I can only strive to do as best that I can with these ideas.

I like to try new things, and am never sorry for anything that I have attempted. There are quite a few works that I have done that do not exist now, as I really thought (before I painted them over) that the end result was not acceptable, was not really of a standard that I wish recorded for posterity.
Yet, I have never hidden my Faux Pas' from people, I just tire of them, paint them over eventually, and go on with the learning process.
It is from them that I learn.

Originality and Passion are essential to good art.
Individualism is essential to good art.
New ideas and methods are essential to good art.
Transcribing a picture is not.
~~Kathleen
ADDENDUM:
Just to clarify, I often use Ratios to ensure that the translation of a floral photographic image
relates in direct proportion to the size of my canvas.
While I do this, it is only with registration marks at the top middle and bottom as well as both sides.
The rest I do by instinct.
~~K

Thursday, August 13, 2009

I have begun again!!!!

I have had a hard time painting since I have moved. It is a compilation of many things, but again, I have to adjust as well. Placing blame anywhere is not productive, so, I am instead, looking for solutions.
Up 'till now I painted when the whim hit me. Now I am regulating times for this. If I paint longer so be it, but I am not going to paint any less than the time I have prescribed myself.
I got a wonderful book from the library the other day.
It is by Chinese Artist Lian Quan Zhen.
The book covers the art of Chinese water colour techniques for painting flowers!
(ISBN #978-1-60061-088-2(hardcover paper)
Using some of the advise from this book, combined with lessons from a class taught by a friend Kathy, I have begun this:
A Dragonfly on foliage.
It is acrylic on Canvas
16" X 20"
I will post updates as I complete each stage from here on in.
Have a good one all!
~~Kathleen

Friday, July 10, 2009

Digging/Building/Tearing down & Putting up!




Well, here is where we are now at!
The builders are here to replace the roof/build a wrap around deck, and all the good stuff that comes with this type of work.
Needless to say, both the kids and myself are rather excited about this. They have planned on it for a long time, and the final result will be very pleasing.

New Art!
I have been working on perfecting florals in different colours now. This week it is Reds, and getting the shading so as to be pleasing is not all that easy. But I am getting there though!
Here is a pic of the "Martha Washington Geraniums" that I am working on.
A long way to go, but it is really falling into place stroke by stroke.




Hopefully the pics here will be okay, as I am still not on my own computer, and working with a program that I am not familiar with is trying to say the least.
Be well all I promise to be more diligent from now on in with my postings here!
~~Kathleen

Monday, July 6, 2009

The good things in Life are worth waiting for.....

FIRSTLY;
I am not on my own computer, so I apologize for the photos here.
All can be viewed much better by clicking on them! K.S.
At last, I have painted a new work!
In the last month I have moved, flown to Winnipeg (for almost a week) to attend Bonnie & Aarons wedding (that just about didn't happen, but more on this later,) Visited with my family there, and returned to Alberta, and the calming peace of where I now live.
The new painting....
Field Poppies
Acrylics on Canvas

12" X 14"

I apologize for not cropping this picture, but I am not on my computer, and cannot figure out how to do it on the kids computer.
But one might think that a bit is better than nothing.
I am proud of this one, as the delicacy of the Poppies really shows in this work. I used four colours here.
Burnt umber/fire Red/light green and sap green
the effects were quite pleasing.

THE WEDDING;
Now Bonnie and Aarons wedding ......
If ever planning paid off for a momentous event, this time it did.
everything was in order, the colour scheme, the gowns/tuxedos, the flowers and the venue.
The colours that they choose were chocolate brown and the softest mint green.
and they were stunningly coordinated, even down to Bonnies bouquet which had green and cream roses in it.



The morning of the wedding which was to take place at Elmhurst Golf course (at 4:00pm)
began Sunny, and turned to clouds and then to showers and then to a downpour and then to torrential rain.
By the time for the bride to arrive at the venue, all the power was knocked out and the whole area was without light/electricity and a sea of water.
the food for dinner was waiting to be cooked, the cocktail hour was cancelled as there was no way to serve them and the guests waited patiently in the beautifully decorated dining room.

Luckily for the kids the power company was on the situation, and the guests were patient.
At 5:30 pm the Justice of the Peace said....
"We came for a wedding, and a wedding we will have" and proceded to comandeer the bar of Elmhurst that had wrap around windows, moved a squillion candles into that area and moved everyone into that room for the ceremony!
And what a beautiful ceremony it was.
Through all the adverse conditions Bonnie and Aaron were married finally.
One wonders of the Powers that Be, and what is the meaning of signs, as in the middle of the ceremony the lights finally flickered on went out only to come on for good finally!
Yes, we not only had lights but we had complete power.
Cocktails were served as the Chef and his many wonderful helpers got to work on dinner, and eventually dinner was served, and again, it was excellent.


Bonnie was lovely in a wonderfully beaded strapless gown of white Peau de sois.
It had a princess train and was so befitting her and her personality!
Of course Aaron looked wonderful in his chocolate brown Tux. (He complimented Bonnie so well)The wedding cake was fondant covered Red Velvet cake and in itself was a work of art.
With dinner done and after the speeches while cocktails were being served familys all bonded to enjoy thenselves so very much and join two into one.
Well done Aaron & Bonnie, everyone will never forget the wedding that was determined to happen and the wonderful union of two people that we all love dearly!
Bonnie dancing the first dance with her dad,my wonderful brother-in-law Glen....

Later when I am back on my own computer, I will upload family pictures, and photos of the wonderful 65th birthday party my brothers & sisters threw for me when I was in Winnipeg.

It was good to reconnect with my brothers & Sisters and their families.
Time is all too short, and as an addendum, I got to meet Great Nephews and Nieces that I had not had the pleasure of seeing before.
What precious little people you all are.
What wonderful parents you have and how well they are doing with raising wonderful little human beings.

For the time being, I do want to thank Cheryl and Bernie for the wonderful stay that I had with them during my visit.
You both made a week of my life more meaningful!
Love to you both.
~~Kathleen



Thursday, May 28, 2009

I am Offlcial as of tomorrow.

Yep, I am officially a Senior citizen tomorrow!
My life is good, and not for a nano second would I change a moment of it.
I contemplated what and how I would approach this day here.
What could I say that had meaning?
I decided to re-post a blog entry from a while back about a
"Self-Portrait" I was challenged to do of myself.
Everything (in my mind at least) remains the same as the words below!
I hope my next 65 years are as good.
~~Kathleen

"Self-Portrait"

(Acrylics on canvas 8' X 10")


My comments re the unusual design:
"I had a very hard time with this, I do not look at myself"
"I see my hands, the Moon, my Grandsons, but I do not see me.
I see the art that I paint, what I sew and design, I see my family and am proud of them, and that is me.

At this time in my life I see myself as at peace with the world, free, happy, and contented.
Learning to be a good Buddhist is important to me.


I hope that others see me this way as well.

'A person that loves, is loved, likes her lumpy body, and is happy in her own skin, and cares not what others think, when she dances naked underneath the moon.
~~Kathleen"

Saturday, May 16, 2009

A new painting a new direction....

Ruffled Parrot Tulip
12" X 24"
Acrylics on canvas
I am so sorry for being so lax in posting lately, but I have been in a state of great change.
My children & I have decided that I will move out to the acreage and live there with them.
This will be a positive move for me, as it will bring me into daily contact with my favorite two little men daily,and, allow me to enjoy the blissful peace that living under a canopy of stars nightly brings.

One can sit outside and hear nothing but the birds, frogs and bees going about their daily lives in peace and serenity. While I like where I am now, I know that this will be so very much better for the artistic side of me as well.

So as of the 15th of June I will be there.
This means packing and changing addresses etc. A bother but a small one.

Today I finished a White tulip for Barb, my Son-in-laws wonderful mother.
She has a dear friend that is a gardener extraordinaire.
Carol did all the flowers for the kids wedding when they married, and from what I hear her flowers are second to none.
It was a fun paint, and offered very little challenge, as it seemed to paint itself.

I hope you like it.
Be well all.
~~Kathleen

Wednesday, April 29, 2009

Red Oriental




I painted this flower at least ten times before I got it right.
And still, I don't know for sure if it is done.
But, for what it is worth, here it is.
Hope you like it.
~~Kathleen


Wednesday, April 15, 2009

I am Featured in the Arts section of the local Newspaper.


The paper came out today and the interview that I did with reporter James Emery turned out better than I ever imagined it would.
(Airdrie Echo)
http://www.airdrieecho.com/ArticleDisplay.aspx?e=1525259
I was so excited when he interviewed me, that I could not remember what we even spoke about!
So the content was a total surprise to me.
Needless to say, I am very pleased with it.
While it is a Local newspaper, it covers parts of Calgary and all of the surrounding area of
Rocky View, which is a huge coverage.
He included my photograph as well as featuring a picture of my frog painting
"The Wedding is Off!"
I can see where this will be a positive thing for me as well as exposing my art to more people.
Hope you agree.
~~Kathleen

Saturday, April 11, 2009

A lily in the making


They say, that a Rose is a Rose.....
But a Calla Lily is an expression of grace and beauty!
I do believe that A Calla Lily is a difficult flower to paint.
This beauty is a cream white with very soft green undertones and struck me as such a delicate flower.
The way the flower twists and turns around itself, kind of makes one wonder what it is trying to hide.
In all I have always loved the shape of these flowers. They are graceful and just plain lovely.
Hopefully I have done this beautiful flower justice.

~~Kathleen
"Lily"
Acrylics on Canvas
12" X 24"


Thursday, April 9, 2009

Rachels Mum

So, I decided to go one step further with painting flowers.
This time I used a Yellow Mum, and tried to "loosen up a bit!"
I think I have a better understanding of how to paint a flower now....Hopefully.
Some seem to do this with some effortlessness.
I struggle.
I am always questioning myself, and oftentimes, I cannot seem to relax
when attempting anything new.
In this painting, I have used the act of light shining almost through the Flower
all the while, casting a shadow on the background!
Well here it is....
Hope you like it.
Rachels Mum
Acrylics on Canvas
8" X 8"

Sunday, April 5, 2009

An Exercise in shadows (?)

This is a work that I have wanted to attempt for a very long time.
It is shadowing the petals of a flower that I am trying to teach myself.
Again, I began on the wrong step, and had to re-work the whole painting.
I changed the colours of the flower completely
and am still not sure that it is finished.
But here is where I am tonight.
Hope you like it!
~~Kathleen
Acrylics on Canvas
8" x 10"
Rachels Daisy

Detail of Pollen on leaves;





Monday, March 30, 2009

Chocolate and Energy!


Every once in a while, I indulge in Chocolate!
Not just a couple, but a whole lot.
I will eat a whole bunch of it and then am good for a few months with no desire for sweets in the interim.
The other day amidst yet another huge snowfall I got into a bag of Hersheys Kisses.
I ate them royally and without count!
While I was doing this I was downloading some new photos for references for painting.
I had to change the batteries in my camera and one fell onto the pile of wrappers from the Kisses.
I looked at it and thought "Heck I don't need batteries, Chocolate does it all!
So here is my picture....Two of the greatest inventions of all time:
Hersheys Kisses (already consumed), and the Battery.
I am now all charged up!
~~Kathleen
 

Friday, March 20, 2009

The Wedding is Off!

Froggy got stuck in a sunshower the other day.
So Miss Toad has to wait for the rain to stop, and Mr Froggy to dry out to have a happy wedding day.
This is painted from a reference photo by Kristina Kotarski
You can enjoy her photography here
http://www.hellfirediva.com

Detail of frog;


Hope you like him. I do!
~~Kathleen

Tuesday, March 17, 2009

"Every once in a while Miracles Happen"


I have the wonderfully good fortune of being in (almost) daily contact with one of the finest Macro photographers out there.
Her name is Kristina (Tina) Kotarski also known as Hellfirediva.
She is an award winning photographer, and I must admit, I spend a lot of time as an artist looking at her site and drooling.
Luckily for me, (a miracle) Tina has given me permission to attempt to try and translate her work into my Medium of Acrylics.
This is my first attempt at doing this and I hope that some day I can do her work justice.
Please look at her work here....
http://www.hellfirediva.com/gallery/gallery.htm
This is my rendition of Tinas photograph of a tiny frog/toad sitting under a Toadstool and being dwarfed by the Morning Dew.


"Morning Dew"
30cm X 45cm
Acrylics on canvas



~~Kathleen



Thursday, March 12, 2009

"I Have Arrived!"

This year in Southern Alberta, we have had a dismally cold and very long Winter.
By now, some branches usually have a couple of buds on them, but not this year.
Painting this canvas has given me great hope of the things to come.
I hope it is as pleasing to you as it is to me.
~~Kathleen

Friday, February 27, 2009

"After the Frost"


"After the Frost"
12" X 16"
Acrylics on canvas

I have finished this painting.
This took me a lot longer than I could have imagined.
As I said on a previous blog entry, this painting was (for me)
a totally new direction in style and execution.
I an quite pleased with the end result!
Hope you enjoy it.
~~Kathleen




Wednesday, February 25, 2009

"This is really Exciting" (UPDATED)


....Well, for me at least. I am trying a new style of painting. I am taking a class that is offered by one of my fellow posters @ Wet Canvas, and being that the class is about Abstract art, I am in a totally new Realm.
What I have learned to date, is that doing anything in art that is outside your comfort zone is very hard, but it can be done, and done well.
I took this photo last Fall when we had experienced a monumental Frost. The plants in the garden were all frozen except for this one. All that the frost had done was turn some of the leaves Pink.
The composition of the jumble of leaves was so very pleasing to me, and I kept the photo in my "For Painting File"
I looked at it so often wishing that I had the expertise to paint it as it looked.
What I learned (in the class) was that you can step out of your comfort zone and do anything as long as you knew colour and composition.
So I began to paint it yesterday.
This is how far I have gotten, and I must say, that I am pleased with my progress.
I tend to be a bit heavy handed with paint.
But this time the paint I am using is very watered down and, I am "Washing" it on as opposed using to solid colour.

"After the Frost"
12" X 16"
Acrylics on canvas
(Work in Progress)

The painting is slow, as I often have to leave it, go away and then go back to assess where I am.
Hope you like this so far.
~~Kathleen

Todays work....
After I painted in the last leaves in the upper left corner, I have begun to work on my colour Values.
This painting is all too much one hue.
I will have to add shadows and deepen the colour of some of the leaves.

But it is getting there.
Thanks for looking.
~~Kathleen