"Is She?"
Acrylics & Mixed media
on Birch cradled Panel
20" X 20"
SOLD
This has been a long work, firstly because my eyes are still not fixed, and secondly because I am treading in uncharted waters with the mixed media applications here.
Initially I was roaming on line looking at different Art blogs that centered on Mixed media.
I happened to see a work that is somewhat similar to my end result, but by following the instructions the Artist gave was able to replicate the illusion of a cliff reaching out to the sky.
Like it was floating on another world.
Acrylics & Mixed media
on Birch cradled Panel
20" X 20"
SOLD
This has been a long work, firstly because my eyes are still not fixed, and secondly because I am treading in uncharted waters with the mixed media applications here.
Initially I was roaming on line looking at different Art blogs that centered on Mixed media.
I happened to see a work that is somewhat similar to my end result, but by following the instructions the Artist gave was able to replicate the illusion of a cliff reaching out to the sky.
Like it was floating on another world.
What I did find very interesting was the way one could make the bottomside of the cliff look realistic.
It was done by molding stones/rocks out of polymer clay. and affixing them to the painting to emulate what the underside of a cliff might seem to look like.
Having no polymer clay, I improvised using light molding paste, and after shaping the rocks, I dried them on Parchment paper.
(Note: The rocks as such did not fully dry until about four days had passed )
But, being impatient, I affixed them with Heavy gel, and worked carefully around them in the soft stage.
I sprinkled some Cat litter on the cliff and painted over that.
(the look of gravel and dirt.)
Then (again improvising) I coloured some tar gel a deep Jenkins green, inserted the gel into a large syringe and squirted the gel in random patterns as if it were roots growing down.I let it all dry for a couple of days and started painting in the bottomside of the cliff.
I started with a Bronze metallic paint, and wiped a lot of it off leaving highlights.
I let that dry for a day.
In turn I applied Reds/Ochres/Greens and Yellows again, letting each colour dry between applications.
Finally I applied a Green/Gold atop everything wiped it off randomly and was ready for the last step.
I used Gold interference paint and lightly brushed that on let it dry a bit and using a damp soft cloth wiped the most part of that of....The Stones now had a sheen.
Then to the top.
I created an edge to the cliff on both sides with heavy gel mixed with molding paste.
The sky texture was created by using molding paste and a long Palette knife stroked across the Panel with long right to left strokes in a random manner.
Nothing was smoothed out.
I knew I was going to insert a figure so I left the area behind that relatively smooth.
I went to Pose Maniacs and searched for a nude female image that "said" what I wanted.
I downloaded it, and re painted it on paper, transferred it to my computer and reprinted it on photographic paper.
I cut her out with an exacto knife, and affixed her to the panel.
Then I started painting a somewhat sheer robe on her (again) with the "wind" blowing it from right to left.
My initial wash paint of the robe was done in interference paint (a mauve hue)
I then used Zinc white for the initial stages of the robe and let the washes dry between applications.
The interference paint shined through the Zinc white giving the robe depth.
Eventually just a hint of the nude body behind the robe was showing and the whole effect was quite pleasing.
There was a lot of "Movement" to her robe.
Initially I placed a "moon" in bas-relief in the upper right corner of the painting, but it did not work, so I removed that recovered the area with molding paste and painted in a smaller moon in white. I edged the right side with Yellow as if a Sun was hitting it and worked in Silver interference paint around the left side. The end result was much more pleasing.
Back to the cliff bottom.
I used a #0000 rigger brush dipped in a dark brown wash and lightly painted in the roots emerging out the bottom of the cliff, often following the gelled roots down to the edge.
I highlighted a lot of the roots in the cliff in the same way and achieved a consistent look to them.
On the advise of a good friend, I darkened the bottom of the cliff somewhat and touched up the top area where she is standing with highlights.
I sprinkled some Cat litter on the cliff and painted over that.
(the look of gravel and dirt.)
Then (again improvising) I coloured some tar gel a deep Jenkins green, inserted the gel into a large syringe and squirted the gel in random patterns as if it were roots growing down.I let it all dry for a couple of days and started painting in the bottomside of the cliff.
I started with a Bronze metallic paint, and wiped a lot of it off leaving highlights.
I let that dry for a day.
In turn I applied Reds/Ochres/Greens and Yellows again, letting each colour dry between applications.
Finally I applied a Green/Gold atop everything wiped it off randomly and was ready for the last step.
I used Gold interference paint and lightly brushed that on let it dry a bit and using a damp soft cloth wiped the most part of that of....The Stones now had a sheen.
Then to the top.
I created an edge to the cliff on both sides with heavy gel mixed with molding paste.
The sky texture was created by using molding paste and a long Palette knife stroked across the Panel with long right to left strokes in a random manner.
Nothing was smoothed out.
I knew I was going to insert a figure so I left the area behind that relatively smooth.
I went to Pose Maniacs and searched for a nude female image that "said" what I wanted.
I downloaded it, and re painted it on paper, transferred it to my computer and reprinted it on photographic paper.
I cut her out with an exacto knife, and affixed her to the panel.
Then I started painting a somewhat sheer robe on her (again) with the "wind" blowing it from right to left.
My initial wash paint of the robe was done in interference paint (a mauve hue)
I then used Zinc white for the initial stages of the robe and let the washes dry between applications.
The interference paint shined through the Zinc white giving the robe depth.
Eventually just a hint of the nude body behind the robe was showing and the whole effect was quite pleasing.
There was a lot of "Movement" to her robe.
Initially I placed a "moon" in bas-relief in the upper right corner of the painting, but it did not work, so I removed that recovered the area with molding paste and painted in a smaller moon in white. I edged the right side with Yellow as if a Sun was hitting it and worked in Silver interference paint around the left side. The end result was much more pleasing.
Back to the cliff bottom.
I used a #0000 rigger brush dipped in a dark brown wash and lightly painted in the roots emerging out the bottom of the cliff, often following the gelled roots down to the edge.
I highlighted a lot of the roots in the cliff in the same way and achieved a consistent look to them.
On the advise of a good friend, I darkened the bottom of the cliff somewhat and touched up the top area where she is standing with highlights.
I darkened the bottom and Changed the moon/planet.
The end result is at the top of this blog.
And she was done.
I am pleased that I came across the blog with the directions on how to achieve this effect!
One problem, somehow I have lost the link to the artist and her blog, so if it is you, please let me know and I will link to your initial instructions.
I Am very grateful for your help with this.
~~Kathleen
Comments and critiques are always welcome.
(If you are not a member of Blogger just insert your name into your comment and I will post it as such, Thanks)
