Wednesday, July 23, 2014

"Rebirth"


"REBIRTH"
Acrylics on Canvas
8" X16"
"SOLD"
If you are not familiar with Forest fires, there are some very interesting facts about what happens to the land after they have passed.
Firstly,
There are ground fires that burn up.
And secondly,
There are those where the flames skip across the canopy of the trees and burn in a downward direction on the trunks.

No matter what way the fire burns, the forest is devastated.
The interesting thing is, that either way, the fire heats the pine cones, and seeds that were laying on the ground, opens them and then they germinate and begin to grow.

From "Rising from the Ashes"
"In fact, fire is a natural part of the forest’s regeneration system. Most forest trees need to be exposed to fire every 50 to 100 years to invigorate new growth. As we found out in Yellowstone National Park nearly 20 years ago, suppressing forest fires too long can actually be detrimental to forests. Extreme efforts to prevent forest fires there led to a huge consumption of trees when fire finally broke out."
http://www.sciencebuzz.org/blog/rising-ashes-forest-fires-give-way-new-growth


Within days of the ground cooling new growth begins and the forest will (If left alone) begin to regenerate.
Many scientists believe that a wild fire helps regenerate the forest
and rids the land of all the previously dead remains from older trees.
In some National Parks in Canada there are "Controlled burns"
that do exactly this.
These fires do have a devastation effect on the local wildlife and human residents.

I called this painting "Rebirth" because when I posted a work in progress of this painting a friend commented
"it was such a sad thing to see."
My reply was...
"It is sad, I have seen this type of devastation all too many times, but the Forests give birth as soon as the Earth cools and it begins anew. There is always hope."

I hope you can see the hope in these paintings.
I hope that you can see the new and diseased free rebirth of what is to come.
I hope that you can understand that Nature has a way of balancing itself out.
And I hope that, what may look like devastation to some remains, and always will be a clear path to the future.
~~Kathleen
Afterword:
For some reason I have not been able to receive or post the comments many of you have made lately.
Here is my email if you cannot.
I would love to hear what your opinions are on these posts.
ptunys@gmail.com








Tuesday, July 15, 2014

"Inferno"

"It is Not all Black and White #4"
"Inferno"
Acrylics on canvas 
14" X 18"

We are in the Middle of the Summer, here in Southern Alberta.
Summer in Canada means forest fires all through out the North and far North.
For that fact any well forested area is prone  to fire.
The Lightning, combined with the heat, dry conditions all contribute to this devastating phenomena.

I grew up in Northern Manitoba, Canada, and we were all aware of the impact these fires would 
have on our lives.
We were all aware that every able bodied man would (and usually was) conscripted to fight them.

Todays painting depicts such a thing.
I hope I have represented both the devastating effects of fire as well as the hope for rebirth after the burn is done.
I will post photos of this canvas in order of preparation and progress.

Initially, I had no idea of the best way to paint fire of any type.
I had never even attempted to do this before so it was a learning thing for me every step.
I knew that yellow and red made orange, and that brown added would add distance to the flames.
This painting was done with six colours.
(All Golden Acrylic fluid)
Hansa Yellow
Yellow Oxide
Quintacridone Nickle Azo Gold
Pyrrole Red
Bone Black 
and
Van Dyke Brown.
Initially, I lay out drops of the colours in a circle on my Pallette
and dipped a very large fine haired brush in them.
I then dabbed the tip of the brush on paper towels turning the brush every time I blotted it
and mixed the colours randomly that way.
I achieved this effect on the canvas with my loaded brush.


The top left corner was scumbled Brown with carbon black, this gave me a perspective point.
I then followed with a very basic outline of my main trees drawn on the canvas with a
Watercolour pencil.
(I love watercolour pencils for drawing ideas on my canvas' as the marks wash off so easily.)



Then I focused on the fire burning actively in the background
 


 from there it was just a matter of how I wanted to proceed.

I began to shape and form the trees that would frame the approaching fire.





With this done I refined the trees and foreground, and began to add the darkness
in the area of the viewers eyes.
and I finished it off.


I would like to thank the many photographers that posted Fire images to the internet.
They were invaluable and I am sure I could not have done this without their daring
and astounding works.
This painting is a compilation of many images, and for that I am grateful.
A side note:  I have never liked working on a smooth canvas, so as is with most of my painting I had
prepared the canvas initially with a layer of Goldens regular Gel, and gessoed over that.
The canvas is intentionally Not smooth.

All comments and inquiries welcomed.
~~Kathleen